VIDEO 101

Shot Composition

Navigation
Video 101 Home
Start of this lesson

Lesson Outline
Introduction
Close-ups
Profiles
Long Shots
Medium Shot
s
Extreme Close-ups
Zooming
Panning
High Angle
Low Angle
Headroom
Looking Room
Lead Room
Diagonal Lines
Toward/Away
Getting Close


Composition > Zooming


Yikes! in this example of poor photography, the shooter zooms in and out a lot--following the eye's natural desire to jump around.

Here's the rule: Never zoom. I am not kidding here. Pushing that zoom button while you are recording is like waving a huge banner that says "Amateur!!!." Surprised? Most people are. You probably love zoom buttons.

One caveat. It's OK to use your zoom to FIND a good shot. Just don't zoom WHILE you are recording. A little skeptical of this advice? Watch prime-time TV tonight and count the zooms. You will find none. Hunt-and-peck zooming will give an audience motion sickness.

But how do I show my viewers something new, you ask? The answer is to stop the camera; find the new shot; then start recording again. That's how professionals use their zoom.

The thing of it is, zooming is a very natural thing to do. That's why you have to work extra hard to force yourself to stop. Your eyes naturally dart around the environment--never halting on anything for more than a second or two. To understand this, pay attention to your viewing patterns right now. Are you staring transfixed at a given point--or do your eyes dart around--gathering up dozens of images each minute and assembling a whole in your mind. It's the latter.

And most camcorder users operate their camera AS IF IT WAS THEIR EYE!! They dart all over the scene as their eyes do--and the result is a visual mess. What works for your eyes does NOT work for a camcorder.

Are you a teacher using this site in a class? Stay legal (and get some great teaching resources!)

Copyright © 2000,2001
2003
Michael Trinklein