VIDEO 101

Sound

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Lesson Outline
Introduction
What is Sound
Pickup Patterns
Lavalier
Handheld Mikes
Boom/Fishpole
Wireless
Parabolic
VU Meters
Automatic Gain
Fader
Equalization
Mixers
Line/Mike
Connectors
Techniques


Sound > Mikes > Types > Wireless


ABOVE: All wireless mikes have a least 2 parts: a transmitter and receiver. For this handheld wireless, the transmitter is built into the mike "stick."

BELOW: The subject can plug any mike she likes into the transmitter (left). Then, the transmitter is clipped to the subject. The receiver (right) is clipped to the camera--and the audio is routed from the receiver to the camera's inputs.

"Wireless" mikes are often configured like lavs or handhelds--the difference is the subject is not tethered to the camera with a long wire.

A wireless mike is--in essence--a very low power FM radio station. A wire runs from the mike element to a little transmitter box which is usually attached to the subject's belt. This transmitter sends the audio signal through the air (just like a radio station does) to a receiver--which is typically attached to the camera. Viola--wire-free operation!

That's the good part. But there are a few disadvantages to wireless mikes:
1) Just like an FM radio station, wireless mikes fade with distance. They work great if you are 15 or 20 feet away--but get much further and things get more iffy.
2) Just as radio stations sometimes have static, the wireless mike signal can also be degraded by random radio noise.
3) Perhaps the biggest downfall is that good wireless mikes are very expensive--more than a thousand dollars. You can get a cheapo version at Radio Shack, but you are rolling the dice. Sometimes these put out awful quality sound.

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Michael Trinklein