This sequence is especially interesting. By cutting on the action of the fall, the edits are all but invisible. Watch it. Notice that in the fourth shot she falls face-first, but in the other shots, she falls back first. Is that an error? Not really. Because the editing—on the action—hides it.

That’s a really important point: no two shots will ever match perfectly. The goal isn’t perfection; rather, the goal is to create a flow to the story. Some sticklers will always find tiny flaws (like in this clip); but don’t get too hung up on the minutia. The story is the thing.